Each subject connects via eye-contact to the viewer, addressing the objectifying nature of portraiture head-on. Portraits have a complex history—they have the potential to venerate, to emotionally connect, to resonate into lived experience—they are also tools of commodification, objectification, and colonialization.
Mark Stockton: 100 People examines who and how we venerate and connect. What is representation in a larger sense? Using demographics to structure an equitable range of representation, and selecting subjects from a range of time periods—from the beginnings of portrait photography (1839) to the present—the on-going series seeks to create an evolving canon of portraits, reflecting an expanded narrative of history and identity while centering ideas of inclusivity and subjectivity.
Often sourced from recommendations and further reading, the selection process is opened-up beyond the limitations of the artist’s pre-existing-knowledge base; the time-intensive drawings invite further reflection. Each portrait, connecting through an active gaze, looks back on the viewer, collapsing time and space divides, offering different points of connections to different people.